On The Black Style Of Johnnie To's Films

Hong Kong director Johnnie To's gangster film, whether in domestic or international, have achieved great success. For his gangster film, a lot of people just generalities, few people of their ideological content, style, depth of image. And even fewer people will put it the Hong Kong film history and reality of the context flow test will be with the contemporary conduct of other Hong Kong gangster film comparison of the time, highlight the expression of his gangster film "Black Romantic" when different, as well as the Hong Kong gangster film was produced great effect.This gangster film from Johnnie ideological content, image style and its narrative, characterization, on the uniqueness of starting to reveal its unique Black Style. The thesis is divided into four chapters. The first chapter, the main social basis of the film from Johnnie To, chivalrous spirit of traditional Chinese heritage and the French director Jean-Pierre Melville gangster film three aspects of inheritance, to explain Johnnie Black Style. The second chapter, Johnnie black theme, mainly through the Jang Hu in the world of strife, struggle the fate of the paradox, the presentation of violent aesthetic, social gloomy analysis revealed four aspects of black films in the world. Chapter III, the black image from Johnnie proceed through the transfer lines and shape of the black shadow space, repeated images of black, anti-traditional scheduling to investigate the scene of the film's technical presentation black. Chapter IV, through the contemporary gangster film director Johnnie To and synchronic comparison, highlighting its narrative and characterization in terms of uniqueness, to highlight its unique film Black Style.Throughout Johnnie's gangster film, the true depth of the content, form and flexible aesthetic, narrative novel and unique, delicate characterization. The black style in the unique Hong Kong gangster Film.