The Development And Aesthetic Connotation Of "Prairie Song"

Since the founding of new China, New social, political and economic environment, inevitable changing the national culture profoundly. Reflected in the music culture, is to produce a lot of rooted in traditional music and culture with new age classical music type. "Prairie Song" is in this era of music variety. This new kind of music, as an expression of ethnic musicians'reform and revitalization of the folk music of good wishes, and supported by the majority of the audience favorite and recognition.This article to the popular song of Inner Mongolia region where after the founding of new China as the steppe of object, first of all, through the" Prairie Song "art genre of analysis, to mining their overall rendering artistic features. Secondly, particular works on the musical structure of the "Prairie Song ", analysis to the West of modern music culture elements and Mongolian traditional music culture elements in this musical genre in the combination. Third, carding the characteristics and the various faces of "Prairie Song" in its development from the founding of new China to today. Fourth, analysis the changing of the lyrics in the evolution and development of the cultural character. Finally, summary aesthetic connotations of "Prairie Song".This article on the genre of art songs, their music formation and development process, aesthetic connotations of research and analysis, an attempt was made to summarize and dissection steppe songs of some hot issues, hope for the academic study of further provide consultative approach.