Vrubel Language Of Painting

At the turn of the century magic demons Vrubel earthly form, destined to the mortal world to bring a romantic tragedy and suffering polar atmosphere. Metaphor of his work, gloomy, obscure, quiet Yan, a poetic romance and tragic. Characters in the painting seems to wander between the Half God is hard to determine ownership, the amount of international faint reflection heaven Yoshimitsu, but Shining eyes flash reflected hell Wisps. Characters face a solid block full, compact strokes off the pace of increase demonstrates, the magnificent colors bright, indeed odd grab audience's attention to the absolute differences for!Vrubel is one of the representatives in the famous 19th century Russian painter Peredvizhniki. His keen artistic eye, from the ancient murals, traditional folk decoration, Russia between myth and epic subject matter, to find some of the content and form of things in common, and thus the formation of his paintings and linguistic characteristics of the mother. His characters in reality shows that seem, it seems clear from reality blurred image, or highlighting resistance and lonely, or stressed the suffering or troubles of the screen, has a mysterious appeal and the appeal of touching . Artist completely in love with the ancient myth and literature and in his tireless pursuit of painting language, and achieved success. Painting is not the same language and literary language, it is a show in space, special, intuitive visual symbol system. Intuitive painting language visibility, determined its identity with the painting form. The spatial form of painting is the language of painting, drawing forms constitute two major factors - shape and color, but also constitutes a painting language of voice and vocabulary. Specifically analyze the language of painting Vrubel better help us understand the master's art world. Vrubel works to compositions and colorful fantasy bizarre and catchy colors shine, shape and color produced by such a feature, K·Ewen called Freund's "composition disputes."This entanglement is figurative painting is full of associations created by the language, not only every detail, line, color blocks and their combinations have caused in the minds of the audience many of the characteristics of association. Vrubel analytical approach to the volatile and dynamic principles as a basis, one by one to show levels: Xianpu large profile, and then gradually in-depth, the performance of object shape, "polish" the body, giving them a crystal-like edges and corners. Vrubel to create forms and geometry of the structure of objects, not for performance, but for decoration - style of design, performance modeling their designs and decorative appeal. He believes that the real mark of decorative painting is "the form of additional notes with pictorial wall effect." Because Vrubel ongoing research on physical performance, the picture was produced as a transparent crystal and ore colorful effects: arrowhead-shaped, radial, short columnar, tabular crystals of various shapes are used to screen, to the art of adding many new color effects.Vrubel's paintings tend to represent the language of Russian art circles in the early twentieth century had a different view. Some people think that he was divorced from Russia Peredvizhniki track, but some of his creative talent is very commendable that he was inventive in the painting field, the development of Russian art. This commitment from the composition, color, texture and emotional factors on the search for Vrubel unique artistic language.Vrubel is an aloof artist, he was in Russia Peredvizhniki under the influence of nurturing and growth, but he did not meet, nor to follow. He insisted on taking our own road, you can say he's artistic path from a reflection of the new historical conditions in Russia, young artists are thinking and exploring, this Method on Contemporary paintings still have some for reference.