Sixth Generation Of Chinese Film In The Phenomenon Of Neurosis

Chinese film in accordance with the characteristics of the times and the characteristics of their own development was rough but generally accepted by the public and scholars division. The first generation of film is 20 years of the 20th century pioneers of Chinese film shooting video, and its representative figure is ZhangShichuan,ZhengQiu; the second generation of film is 30 to 40 in the 20th century during the era of the film, the period of the director Cai Chusheng, Sun Yu as representatives; third generation film was shot in the 50,60 film, this time the director Xie Jin, Zheng Junli as representatives; the fourth generation of the film is in the "Cultural Revolution" the former director of graduate film school produced film to ZhangNuanxin, Teng Ji as representatives; Fifth Generation film is in the eighties from the Beijing Film Academy graduate, who experienced a major social upheaval, with mountains and the countryside through the director of such works, its representative figure is Zhang Yimou, Chen Kaige, etc.; and the sixth generation of the film is under development in the new period of reform and opening up of wind generation grew up under the director of film and television works. Sixth Generation films in the content, form, expression and so different from the past, has emerged as a new feature film. This is because this generation of directors of the growth environment and upbringing very different from previous generations, they are the new era of social reform and opening up the warmth of a generation grew up. Director of this generation are more favorable environment for the growth, but grew up under the new period full of contradictions, and then formed a unique feature. The sixth generation of film culture, the Chinese economy generated a huge transition, this generation faced the challenges and contradictions are challenges and contradictions under the new period, Therefore, the expression of ideas and feelings to express the unique characteristics of both.They have a unique artistic vision, artistic expression and focus special attention.Sixth Generation filmmakers grew up in Western culture during the violent collision, and then they developed a concern not only minds, but also concerned about the current overall trend in Western culture and film art collision and exchange. The "World and I," and the integration and collision with each other made they were sensitive to the reality and human nature, making their films filled with a kind of post-modernity "pathological contradictions" feature. We present the Chinese people according to the general trend of development of psychological mechanisms, called the Sixth Generation films, "neurosis" (referred to as nerve disease) phenomenon.I believe that the Sixth Generation films is important in its expression of three neurotic pathological features, namely:anxiety, extreme emotional and divisive. Through analysis of these representations, the author analyzed the sixth generation of film in the present development, including the "creation" and "market" two important aspects. I attempt to analyze these aspects of the development of Chinese film to sort out, then come out of the sixth generation presented the characteristics of the film is due to the times, the sixth generation of the film is a product of the times, their performance in the "heart" " art "and" market "is also a contradiction between the struggle and the characteristics of the times given.In addition, I passed on the sixth generation of pathological characterization of the film, to be entered into the sixth generation of a psychological film. Modeled through the times and the basis of China's current common problems people in mental and psychological crisis, the Sixth Generation filmmakers is on these issues have a high degree of sensitivity and concern. However, I believe that despite the efforts of the Sixth Generation film is worthy of recognition, but their works are still in a complex and thorough deep contradictions. The sixth generation of the whole film is very immature, although caught in the modern example exists in some of the weak, sick psychological characteristics, and its performance in the arts also have a certain carrying capacity, but its expression on strength is still very low and did not expect the same as their wake-up the entire population, nor alert the world to play its expected role. China, for the moment, their cry is still weak, and their work of art to convey ideas and concepts are, still lack a true spirit of the times powerful force. Of course, this does not affect its gradually become the mainstream thinking of the times trend.The development of things in itself is not straight forward, is the spiral, the same development of the arts. After the film was to "Modernism" and "postmodern" thought of the approach, with local Chinese combination of ideological and cultural exchanges and, after another day will eventually showed its glorious situation. Sixth Generation film director is a part of film history, will surely one day the dust settles, dig soil into gold. Therefore, the development of the Sixth Generation films, whether it is "artistic" level, the "market" level, or further forward, I am still optimistic about that remains to be seen as good.