The Micro-Beauty Of Fractal Arts On Painting Materials

This thesis discusses the fractal art of micro-beauty. It focuses on the painting on how to form the complex fractal art of material extracted from simple elements and create elegant and beautiful paintings. This process requires that an artist needs to understand a complete theory to support the re-structure images, it also requires that the artist should have a different observation from the perspective of observation images.Over all, a unique choice of observation angle is the most important start.Due to enormous information social changes, artists now know how to understand the new technology on writing. The first chapter outlines the fractal art of micro-beauty, in the light of new theoretical support, and finds a unique observation method, the complex of the images extracted symbol for the new element. Focus is to reveal the basis for the development of fractal theory and conditions of fractal art unique microscopic beauty.Next chapter focuses on the case from the start of the U.S. artists Douglas·Peden exploration of fractal art. Through lessons learned, we discuss how to enable individuals to explore the fractal art using an example. In this chapter we also focus on test Chapei Dayton period of 40 years, fractal art research to show that his fractal art practice, from his exploration, we might be able to be inspired, as our art practices to emulate, but also for us to rally past experiences, mastery, come up with new results.In the following chapter we conclude that the researchers in recent years accumulate a lot of theory and experiences in the beauty of fractal art of micro-practice in order to in-depth study of fractal art, painting material selected to expand the scope of services for the practice of artistic creation.The last chapter is the conclusion. In summing up the practice of ancient and the contemporary time, we attempt to explore the precise ways of thinking and to seek various forms of expression. We need wisdom to chose painting material when in the expression of a unique method of observation, both hand in hand, to acquire new knowledge, open to new ideas, to explore the artistic creation and practice of the process of further improvement.