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Refering To The Development And Spiritual Heritage Of Chinese Oil Painting On The 20th Century

Posted on:2010-04-12Degree:MasterType:Thesis
Country:ChinaCandidate:H W YuanFull Text:PDF
GTID:2155360302464889Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
As "import" of the painting art in China's development has a lot of space and opportunity. This space and the formation of opportunity, both historical origins, but also the requirements of the times, more choice of national and personal likes and dislikes. The 20th century, the eighties, with the "Cultural Revolution" The End of a thorough reform and opening up the gradual expansion of Chinese society has undergone tremendous change, and oil paintings of this alien art has shown the characteristics of its own and independent perspective, reflects the obvious features of that era, at the same time, Chinese oil painting itself gradually from "foreign goods" to "China" transition and transformation. The eighties of the 20th century, Chinese painting art in the entire history of the development of Chinese painting, however, played an important role in connecting. In this paper, for the "Cultural Revolution" after the "scars of Fine Arts", "local realism", "neo-classical" and "85" Fine Art and other important trends of the description and analysis of the phenomenon, explained the history of Chinese in this particular stage, oil painting Language and expression of the theme of progressive change embodied in the era of relations, further application of oil painting arts degree with China to build a culture of inclusiveness by the state of Chinese art has a very important significance. Along with painting the course of Western Learning in China, the development of the local community indicates that the internal structure of Chinese society changes in the development and application of oil to build a degree of common visual phenomena, is exactly the powerful evidence of the development of society as well as oil painting art of self-development and geographical times combined with the inevitable result, which shows that oil painting as a species and as an artistic spirit, has a broad inclusive and plasticity, and even we can predict that the future of art in China's vast canvas of the society to accept a breeding ground for the development of groups for the development of the arts world to provide a new example.In this paper, for the collation and collection of material to read, for the thesis topic and purpose of the repeated appraisals, and the author from a growing recognition and lays out a 20th century Chinese painting in the eighties the basic framework and the development of context with such a premise, the clues on the article clarification. The eighties the history of Chinese painting arts status and social impact is very clear that it was completed on the one hand, from the twist of the "Cultural Revolution" from the art model and successfully carried out the necessary act of reflection, on the other hand to create and complete a new art form and the spirit of tradition, such as nationalization native realism tendency Shincho modernist art in Europe, such as bold drawing.In this paper, the material collected for the collation and reading, the thesis topic and purpose of the repeated appraisals, and the author from a growing recognition and lays out a 20th century Chinese painting in the eighties the basic framework and the development of context with such a premise, the clues on the article clarification. The eighties the history of Chinese painting arts status and social impact is very clear that it was completed on the one hand, from the twist of the "Cultural Revolution" from the art model and successfully carried out the necessary act of reflection, on the other hand to create and complete a new art form and the spirit of tradition, such as nationalization native realism tendency Shincho modernist art in Europe, such as bold drawing.
Keywords/Search Tags:Realism, Injuries, Local realism, Neo-classical, Art ideas, Applicable to degree
PDF Full Text Request
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