After the founding of new China, the new farmers to become the artist painted the image of the object. The founding of New China marked the people of the whole country from the plight of the old society, and entered a new century, the people of New China, in particular, accounted for the vast majority of the population of our country farmers, the end of a long-term exploitation and oppression of the history, truly become masters of the country, not only in politics over the body, and social status has been the largest increase in history. "Seventeen Years" initial stage of the artist, directly or indirectly, to describe this change has given us an unprecedented image of the peasants. Of course, as a result of a strong regulatory role of political ideology, the artist had to work under stringent constraints painting. However, farmers in this period the image of "modernization" of the non-complete is very prominent. Therefore, "Seventeen Years" is not the nature of the early farmers in the sense of "modern." Period of New China, the farmers changed the image of the suffering of the previous image, the image of the new emerging farmers, and its generation is tightly surrounded by the artistic policies of the CPC Central Committee, and more with the characteristics of class symbols, almost all to a pair of well-being, optimism, self-confident image of the emergence of more and revolutionary peasants, labor, linked to the theme of harvest, etc., and really describes the true feelings of the peasants, describing their work less in real life, especially in the three years famine, when the survival of the true situation of the peasants and the psychological state of being ignored. In view of this, so I chose this topic, trying to at the time of the adoption of the new era to the farmers as the main theme of the analysis of works of art, revealing its underlying implication of the social, historical and cultural connotation.This article is seventeen years of New China, the Northwest art appears in the image of the study farmers to sort out the period of New China painting the image of farmers in different political ideology under the load, as well as the different cultural connotations of images and national deep-rooted relations between the countries, through the farmers get a new cultural image of the interaction between methods and interpretation. |