Pondering Over The Misunderstandings Of Modern Chinese Oil Painting

Along with the prosperity of contemporary art on different levels in China,"alterative"arts are springing up all the time. Contemporary China on drawing is surviving by its unique posture, and is developing in the direction of modernization. In the domain of Chinese drawing, the practical oil painting still holds the very big share. Occupied in the new artistic environment, the practical oil painting has already changed people's esthetic appeal to a great extent; meanwhile, it also has a great influence on profounder art education. Therefore, the research of Chinese practical oil painting is useful and meaningful for the development at present as well as in the long term. The contemporary practical oil painting work has the good living environment in our country, and what is worth approving, with years of accumulations and the joint efforts of the senior artists, it already had achieved a lot. But this article will focus on the misunderstandings of modern Chinese oil painting, and carries to a deeper level, attempting to reflect on the individual creation behavior of the artists , then guiding people's common esthetic prejudice even vices. Similarly, the deeper research on the misunderstandings of modern Chinese practical oil painting has also got the dual significance of criticism and self-criticism.Main content: The first chapter illustrates the researching background, defining some concepts in the research and pointing out the reasons, aims and significance of this research. The second chapter mainly introduces the history of modern Chinese practical oil painting and the present situation of research, elaborating the brief development of modern Chinese practical oil painting and its condition at every stage in the process of modernization. The third chapter analyzes the developing foundation of modern Chinese practical oil painting from the points of the practical painters and the critics. The fourth chapter pays special attention to the creation of modern Chinese practical oil painting, analyzing its organization form and restricting factors. The fifth chapter summarizes the development and the forecast of modern Chinese practical oil painting concisely. In the Conclusion part, it summarizes the researching results and the perspectives of this article and proposes the following research as well.