| This dissertation is composed by six parts which are introduction,the folk artisan Mu.Burenchugula's introduction and his command of epic's discussion,the basic content and uniqueness of the folk artisan Mu.Burenchugula's telling and singing "Bud Glab Khan" epic,the custom research of the folk artisan Mu.Burenchugula's statement about "Bud Glab Khan" epic,conclusion and reference.In introduction,the previous scholars' general research about "Bud Glab Khan",the explanation about topic selection and its methods.The first chapter consists of two parts.The first part mainly explains the folk artisan Mu.Burenchugula's autobiography.The second part shows the folk artisan Mu.Burenchugula's good command of epic.In the second chapter,it clearly expounds the "Bud Glab Khan" epic's main content and uniqueness which is told and sang by the Mu.Burenchugula.At the same time,it is compared with "Bud Glab Khan" told and sang by the folk artisan Seren,and based on this comparison,it analyzed special feature of "Bud Glab Khan" epic told and sang by Mu.Burenchugula.In the third chapter,it studies the cultural connotation of "Bud Glab Khan" epic told and sang by Mu.Burenchugula from the point of folk-custom views.It explores something about Mongolian custom concerned with telling and singing process; namely,Chaoer custom,Mangasqi,epic listeners custom and soul beliefs,scarifying fire beliefs augury beliefs and so on. |
