The Thoughts Based On The New And Old Of New Schlolar Drawing

After the Great Cultural Revolution, Chinese art thought denied the"realism"of the mainstream of society, and hold the banner of"damage that is to create " highly, completely negating the previous content and form of art. Particularly influenced under the Western philosophy and literature, artists begin to pay attention to the individual reality of China's environment and cultural life are incompatible with Western ideals and sense of tragedy, and has gradually formed the "New Wave Art", "Modern Chinese Art" genre, its meaning is rooted in the soil of western art, western art for all to understand the basis and reference system and embarked on the traditional art of Chinese painting that runs counter to the road.The birth of New Scholar Drawing in the 80's at the end of the last century and has been affected so far, the background is the summit of total denied the westernization in 1989 . When a number of Chinese people attempt to politically following the capitalist road, the culture and remove the negative sense of the traditional way of thinking has become inevitable, it's performance in the arts is Scholar Drawing has been driven into an impasse by XiaoShan Li," but history has proved that Scholar Drawing is not dead end, However, this trend of thought and of modern life brought about by the confusion that has continuity with the confusion down. Just came into being at that time the new paintings from the original voice of protest turned into a search for the value of the existence of a "game."How to developing the New Scholar Drawing in a new era ? How to perofrm the modern people's ideological realm by the language of the ancient ? Finding a right balance between the new and the old is is the keynote of New Scholar Drawing, meaningful and valuably inherit the tradition of the spirit and more integrated the spirit of the times during reform and innovation, so that the New Scholar Drawing in the new historical background and cultural atmosphere, is constantly absorbing the essence of contemporary art and the spirit of the times, so that Chinese painting can be have a new development.