The Contemporary Embodiment Drawing's Composition

With the invention of photography, the western traditional realism drawing system started to disintegrate, modern painting breeding lived in the 19th century. The Modernist artists use the subjective performance instead of objective reappearance. No longer treat whether or not similar to nature as a judgment of fine arts. Therefore modern painting, regardless in the idea, the theme, the composition, the color, carries on the bold innovation and has the time breath. Contemporary embodiment drawing' s composition forms the unification of opposites in the idea with the traditional composition essential factor the relations, even does exactly the opposite, even more pays great attention on the intrinsic form and the personalized factor of the drawing creation process. This is the main difference and the characteristic with the traditional drawing.The paper carries on the thorough analysis from three aspects to the Contemporary embodiment drawing 's composition. In the first part , the author tries to discuss the concept of composition in painting, the value of the composition, and explain the historical development vein of composition clearly. The second part elaborated that Contemporary embodiment drawing has the idea support and the composition characteristic. Contemporary embodiment drawing contains the tradition, even more pays great attention to create the process the intrinsic form and the personalization as well as and rebels against to traditional surmounting. The third part has aimed at specifically since Cezanne' s part influential the Contemporary embodiment oils painter work composition carries on the analysis and the induction now. And Parts II and III are the focus of this article.