The Study On Flute Of Song Dynasty

The research choose Song flute as object at the abscissa and ordinate of history, analysed and studyed the relevant propositions of Song flute with the method of enumerating,classifying,summing and deducing from the aspects of philology, science of culture relic and culturology etc.The detailed contents are as follows:First,on the basis of an overall and systematic collation to the musical instruments of flute and the development rheology of the word "flute ",it summarized the development characteristic and law of flute,and delimited the research confine as the musical instrument of flute in Song Dynasty;Second,according to the documents and historical relic grasped,the configurations of the musical instrument of flute in Song Dynasty are mainly criticized from microcosmic aspect as follows:transverse,single pipe,blowing with one hole and six holes in one level of the pipe surface.It made a detailed analysis to the musical instrument configuration characteristic of transversly bowing and vertically bowing respectively,and researched that the appellation "vertical bamboo flute" had already been excluded from meaning of"flute" during the Southern Song Dynasty;Third,classified separately with the using function and occasion of the musical instrument of flute in Song Dynasty,distinguished the exertion of Song flute in various kinds of music application of the art form,and defined the unction attribute of Song flute as common customs and recreational musical instrument;Fourth,studyed ditailed the "timbre and fingering" in ",analysed the connection among the fingering and the SuZi score and GongChi score,concluded that the timbre fingering really had similarities and differences with the bowing fingering of the flute today,and was really possible flute score;Fifth,based on the research above,the thesis analysed and generalized the reason for the prosperity of Song flute is that its development in Song Dynasty complyed with the development trend of the history and society,accorded with people's aesthetic standards at that time,and the musical instrument itself happened to have corresponding nature and characteristic with characteristic of that time,it also have established solid foundation for the development of the rich and colorful local opera music later.The key content of this research is the second,third,fourth and fifth parts of the thesis.For the reason that the propositions are still blind spots in the study of music history,I wish the thesis could offer some forceful materials for the relevant research, and make some contribution for substantiating the music historical data work.