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Naras' Leaving And Afterwards

Posted on:2010-07-05Degree:MasterType:Thesis
Country:ChinaCandidate:X FuFull Text:PDF
GTID:2155360275459188Subject:Literature and art
Abstract/Summary:PDF Full Text Request
In two or three decades, doing research on feminism literature has been a key study area in China. Papers and works are so many which mainly refer to identity, sexuality, role and etc., however, seldom to the marriage and feelings. The topic about"Nara leaving"has been a key one since"May 4th"in 1919 for the feminism literature, whose tradition remains till nowadays, esp. since"new period". On the basis of issue about marriage and feeling in feminism literature, this paper is mainly about the cultural interpretation to feminism literature, trying to express the topic about marriage and feelings from New period; therefore, after outlining and generalizing such kinds of the works, I decided to explore their destiny that women got away from their marriage on the way of cultural studies and feminism criticism.Chapter I discussed several causes related to women's leaving: some for their husband's betray; some for the man's figure fade away in their dreams; some for not giving attention to two or more things between family and career; some for desires tempting and looking for the temporary enjoyment. However, whichever it causes, the women writers were in no alternative mood when delineating the topic of their"leaving".Chapter II paid special attention to three causes relating to the works about women"coming back": first for the family so giving up their career but the marriage toppling; second for their bright future on the career which had the same horizon with their husbands so they can not come back; the last for some women cleared up their fervor love because of cool marriage so they left in pursuit of love but discovered the great love without any words.Chapter III did research on their multiply choice about marriage and love since 1990's. Those avant-courier and traitorous women utmost sank themselves for individual emancipation. Writers like Chen Ran and Lin Bai figured such kinds of those characters who stood up to the tradition as an equal in their texts, tuning no harmonious rhythm with patriarchy society. New figure of women floating on the river, they did not attach the home any more, not narrowed themselves in the marriage and love, however, they take active in pursuit of love and enjoy it.Anyway, since"new period",the marriage and love of women is anfractuosity in the literary world .The author thought only having no bias ambisextrous culture, women can own the real freedom, equality in their marriage and love in the patriarchy society and only in this way, they can fully exhibit their ego.
Keywords/Search Tags:Feminism Literature, Marriage and Love, Leaving, After Leaving
PDF Full Text Request
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