The Analysis Of Mr. Guan Weixiao Ahmed's Painting

Guan weixiao peacekeeping Xinjiang version of the famous painter, watercolours home. Who, with his unique scenery of the border, send the name of the Lyric personification of trees, developed by Matt integrated print, pmp prints, as well as experimental studies of contemporary industrial prints, prints in Xinjiang added a brilliant, creative expression of his prints of the border scenery and great love for the Corps. This is the clearance by Xiao-dimensional analysis, graphic art, his artistic style and artistic language for an in-depth study and summing up, in order to explore the Mind senior artists, the youth version of the artist as a reference.The beginning of the 1960s, Xinjiang was brilliant graphics creation, which is the Xinjiang Production and Construction Corps, a contingent urged to print%, it has become the most prominent achievements in Xinjiang was the kind of painting, while in the country has also had a certain impact. Xinjiang Corps prints and prints the rise and fall of one of the witnesses and participants, the author select his case studies focused on the characteristics of their art prints, paintings and the formation and style of creative phases, and checking Victoria knows,as a case analysis, understanding and revitalization of Xinjiang prints cause,is of great realistic significance.Mr. Xiao Guan peacekeeping Xinjiang outstanding contemporary version of the painter,graphic art multi-fusion, and formed a distinct and unique artistic language,a strong regional, and the Xinjiang Corps prints prints add a glorious. Wood text is divided into three parts of his painting were discussed.The first part,the Commissioner concluded Xiao-dimensional works, prints the border scenery and rich industrial materials,A realistic painting style,not Daofa triangular knife on the use of stylized trees,decorated with the fabric of that,in the symbols of industrial print figures, the monument-style fastener, and mainly prints,watercolors supporting creation features.The second part of its version of the painting style of a premise and causes. First, the Corps work and life experience and the impact of border humanities scenery and the other during the Cultural Revolution and the impact of the creative team learning and learning classes, the three, realism art guide; its four-chiang, the impact player.The third part, the Commissioner of its peacekeeping Mr. Xiao art prints phases. Early Prints by the content and form of political factors and the influence of the deeper reality, yet explore their own form of the characteristics of the print medium-term concerns mainly border scenery and the Corps of life and have a distinct artistic characteristics; late into the industrial Research and creative prints.INTRODUCTION This paper points discussed, the conclusion of three parts. Also discussed were part of peacekeepers from the customs and the life of Mr. Xiao major arts activities, printmaking Style Exploration, graphic art style three elaborate.In this paper, a personal interview, supplemented by literature and, based on this use of sociological research methods for analysis discussed.