Image Era Painting, From The Expression Of Emotion To The Realization Of Value

About the definition of the image refers to the 1990s, with economic and technological globalization, the resulting market, consumption, mass media, information technology and multimedia arrival time, people seem to suddenly find itself in the image of the , or even dominant visual image of the explosion. In this image in the age of the love that is the most visual of the United States. In such aesthetic background, contemporary artists through their own art has been full of art as a subversion of the will of the highest interest of the human spirit. They generally believe that the real world is absurd, the world is no sense, no sense in the world of non-rational, therefore, the arts world is non-rational, it's not in accordance with the will of a rational arrangement art to life. Worldwide new philosophy, aesthetics and social and cultural achievements, the living conditions and the state of the 1990s led to the turn of the century cultural context of the evolution of the contemporary Chinese paintings during this period had a unique look."The drawing has its own value is not accurately describe the right things. People not just painting what he saw, but must first things to draw his understanding of a portrait of the phenomenon, as they express the same idea of things and our feelings.……painting is not considered a pre-fixed and down. when artists in the above work, and often have many new discoveries, but many of their artists to be processed. every artist destroyed the discovery of a US , he is not really suppress it, but to transform it, compact, making it more essential. finally led out of the many discarded the results of the various found."This painting is the creative process. It conveys the form of works by artists language, the manner in which performance strategy, and so on the performance of personality and artistic concepts behind Schema represented by the attitude and philosophy of life between the generation of mutual relations. At the same time, the significance of the"digestion"of the international context of the work brought understandable ambiguity, polysemy and aesthetic ambiguity in the realization of a common reality in the understanding of the value of their works.