A Study Of Modern Ink And Wash Painting Taking Still Life As The Main Body'Development Space At Present

Chinese painting of language reforms have never being at a standstill, Since the 20th century, with China's reforming and opening policy and the increasing awareness of learning from the western culture, different western art philosophies entered China. Chinese ink and wash painting appear the various of development. reflecting the modern of spiritual context, showing the feel of the modern and the survival situation on society.The thesis start with the still life of the drawing main body, explicate the concept of still life, compare the Chinese and Western on the tradition concept of still life difference, Study the present situation on the still life of ink and wash painting from the Chinese modern and the contemporary history , From many bearings and angles come to explain that modern ink and wash painting taking still life as the main body ,can handle tradition and the present relation in the background diversifying very good, it is the phenotype ink and water language taking that the spirit probes as directing, can reflect the modern spiritual context, and have a good space to develop. But since modern ink and wash painting creating,its time is still short so far, the theory basis and artwork are in the stage trying to find out and summing up. Require more that we pass the research to modern ink and wash painting of still life ,manage the development situation completely at present , cognize clearly the still life of ink and wash painting trial making on content and gimmick in behaviour, makes us explore a new way to the development of Chinese ink and wash painting in phenomenon numerous and complicated, at the same time,can make up this vacant position on the ink and wash painting self-service taking still life as the main body studies, contribute a portion meagre that force for constructing the theory system about modern ink and wash painting of Chinese.