From The Designing Theory Of GK Group To Analyze The Character Of Japanese Modern Design

Japan's modern designing, not merely a copy of western art, has its unique character, although it does learn a lot from west after world war II and prosper with the process of Japan's industrialization. Since 1950's, with the overwhelming pursuit of "Japan's modern feature", designing has become a national awareness. Focusing on the combination of traditional handicraft and modern designing, a large number of creative designers and institutes arise, among which GK finds its way into the designing world. From GK, the largest designing institute in Japan, we can take a glance at the boldness of art designing and the core of its designing idea.Japan's modern designing, which develops, prosper and perfects itself, and still remains lively in the fiercely competitive art world, is closely associated with a group of professional designers. GK, as one of Japan's most successful designing institute, embodies the unique character both in the feature and designing idea, at the same time, the long existing prop theory, as an indispensable part of Japan's modern art, has a far-reaching effect on promoting and spreading Japan's designing character. As time pages on, designing institute like GK are constantly pouring energy into Japan's modern designing. With the development of modern technology, Japan's designing art is excelling and reinforcing its position in the international designing art.This article, focusing on a brief summary of the positive factors which stimulates Japan's designing art, is intended to bring about an inspiration to both China's artist-raising model and development of the designing art.