| Ki-duk Kim is a heretical Korean film author in the late of 20th century. He became an outstanding film master in a very short time. The tragedy film of Ki-duk Kim supplied the Korean film field that is short of mental world thought with fresh blood for the present, while his art life is companied with controversy.The thesis is aimed to reveal the real film author Ki-duk Kim, especially the deep reasons behind his films through the analysis on his films in details. In his tragedy films, not only he deeply portrayed the humanity ,but he shows that the human weak struggle and difficult mental world in the violent society changes through his unique film language .His tragedy shows that the art from west and east could reach aesthetic judgment generality on some scale in the "typical and repeatedly" images. His film is filled with oriental flavor in details, as well as the narrate structure that is similar to western install. So Ki-duk Kim got aesthetic identity from eastern and western audience.At last, the art life of Ki-duk Kim shows a deep problem that the whole world is confronted with: the Cultural-Merging and Cultural -Differences. His tragedy films are proved to be that he not only has gotten benefits from the problem but has been fallen under its influence. The approach to so called "main sream" shows us: Ki-duk Kim will struggle with the culture tradition from his motherland and submit himself to the other civilization, or he will be a nationalism hero sticked by a national "label" in the post-colonial culture context.
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