Analyzes The Chinese Portrait Under Different Historic Condition Evolutionary Process

What this article discusses is the Eastern tradition art and the Western drawing art essence distinguishes, as well as after the May 4th Movement of 1919 under new historic condition from form to external performance development change formally .The Chinese tradition art's connotation and the Chinese tradition philosophy have the inseparable relations .Should say that the depth the Confucianist, Taoism, the buddhist theory influence, is had the unique characteristic and the chami.But in the late Qing Dynasty, because of weak national strength.Bullied by the Western countries Many patriotic people in order to make the motherland strong.Advocate of the West in all fields.Whether in literature, music, painting both the West-respect, learning from the West.All deny the country's long history of the valuable cultural heritage.But as the Chinese people Inheritance can not do one without the rootless person.Must carry forward on the basis of inheritance,Therefore upload their own ancestral culture down there should be an understanding of the essence, or in the field of ideology is a blank, and is a big regret. China's cultural characteristic of the field of consciousness, my painting stress convey mood, there is no details of the performance of the first.This is our cultural awareness in the field of characteristic, but in the performance of characters, and the West can not be a replay of Characters and successfully compared to a lot of deficiencies.And the painting will be regarded as Asians order to express different tools and self-entertainment, will be painting as Tutsi science, for the spirit of academic painting in the treatment of research and development, and pay more attention to the reality of the world. And painting a more systematic way of learning, is a heritage of artWestern artists rarely by personal sentiment, self-taught, the majority of artists are then invested in childhood reputation prominent painter subglottic apprenticeship several years, from learning basic perspective, anatomy, the study by the passing of the older generation skills. Gradually grow and development.In modeling, in the reproduction objective world, it is China can not compare to painting. After the May 4th Movement of 1919, many senior painters have made the tremendous contribution regarding the traditional Chinese painting development, has absorbed many western-style painting skills inside the traditional Chinese painting.In the modelling, had the very big change and the enhancement in the idea and consciousness. The Chinese drawing's enhancement and the development have the responsibility with each picture, it and the literature and music are the national culture constituents equally. Therefore drawing development critical time our country culture development, but the cultural development with our country national esthetic interest, the cultural personal status is closely linked. The culture is a nationality's characteristic, is a nationality's characteristic. But today's you are precisely this characteristic inventors, the drawing already was not only a self-entertainment question, but was significant to nationality's energetic domain's development significance.Based on the painting in the West than for research, for example on a case by case analysis.Abstract article from the Introduction, the first chapter of the unique charm of Chinese art, the second chapter of the characteristics of Western art, Chapter III collision and integration postscript. Reference literature, several components,Systematic analysis of China's painting and Western painting characteristics, the difference between, and thus the theory of traditional Chinese painting entry point to study the development of modern Chinese painting the track, and as a basis for future study and practice, practice to provide creative thinking platform.