The Stylistics Study On Rhythmical Prose Style Novel At The Beginning Of Republic

At the beginning of Republic, a climax of rhythmical prose style novel is on the rise. The climax began with which was written by Xu Zhen-ya.The main writer includes Xu Zhen-ya,WU Shuang-re,Li Ding-yi,Wang Dun-gen, Liu Tie-leng and so on. They wrote a lot of rhythmical prose style novel on the position of《Min Quan Bao》《Min Quan Su》《Xiao Shuo Yue Bao》《Xiao Shuo Shi Bao》,and these novels were copied by many people at that time. This paper is going to study stylistics of rhythmical prose style novel, and go ahead in this basis, the paper will discuss about the novels'self-sufficiency and inadequate, inheritance and innovation.Rhythmical prose style novel is the inheritance and development of"Genius and Beauty"novel which occurred in Ming and Qing Dynasty, but naturally they are different;"Sad aesthetics"and"crying aesthetics"were popular in typical literature, rhythmical prose style novel was tied with them in a hundred and one ways; the writing tradition of rhythmical prose style is its literature circumstance, which has a prosperity in Wei-Jin Dynasty and never severs until Republic; It includes four main stylistic- Rhythmical prose style, Classical Chinese, Vernacular and New term, Poetry, this four main stylistic origin from different tradition, their function are different ,too; Naturally the novels concentrate the characteristic of Lyric Aesthetics, but if you are on the march in course of narrating, you will find deep meaning hided by surface significance, and then you will have a new recognizing about it; The modernity of rhythmical prose style novel is shown not only in the level of narrative mode, such as narrative time, narrative call, narrative perspective, but also in the level of innovation to traditional elements and master of"currency","Change(anti-traditional)". Modern Consciousness in rhythmical prose style novel is specially important, it is also foothold of this paper.