Talking About "Emotion" In China In The Role Of Ink Figure Painting

Emotion in essence is a kind of inner experience. Is a social experience, a cultural accumulation, Chinese painting is a unique ideas, techniques and forms creation tool is an important element of the paintings infectious source, but also the lives of the art of painting. From the creative perspective "emotion" is not only from life to the art of intermediary or bridges, and is the direct driving force of artistic creation. Emotion is to promote the formation of the art of painting. "Emotion" as artistic creation has been the driving force throughout the whole creative activities from start to finish.Early in our country's arts, we will easily find the emotional power of this role. Among them, whether religious or witchcraft rituals, as the arts are kept its emotional component, and even in the text on the development of painting - of their predecessors. Aesthetic theory, we can also see from the "write-god" "to move thought is wonderful" to"category million from the Heart "" Heart painting is printed, "and so on the role of emotional development marks. However, specific to China ink figure painting in the "emotional" What is the role? Thinking it to the next process for the threads of history from the traditional ink figure painting in the beginning of the performance of emotion.Figure painting in ink, as a people distinct from emotional animals through a special function descriptions of the figures, the traditional god, the paintings are subjective emotion casting to the sustenance of the paintings express or unlimited emotion to form so that ink Emotion more thoroughly. With the thought of the social changes and development, social atmosphere and trends, as a subordinate to the times of every one of its unique artists feel that emotion is different, then the screen beauty naturally different. There are "immortal Pomo map" in the Road allay feelings, "During the Wanshan map" in the romantic color; "donkey Beishi Basto" the sentimental Italian Ogata; there are modern "displaced persons map" to play in the national Feelings. This series of different images in different aesthetic is inseparable from the "emotional" aesthetic sentiments and feelings are subjective and promote germination, and completed under the control of emotion. Then to today, the present face in our most true in the daily lives of most ordinary This is a most extraordinary feeling to promote today's ink figure painting emerged, including the "City of ink", the diversity. Among them, the more evil sincere emotion, the more we work more strongly to grasp the objective truth, the more Fighting moving, it would be inevitable formation of a wide variety of artistic image and personality of the language - that is style. Emotional different styles are also different."Emotion" comes from the life and with social, and cultural bearer promote the formation of the paintings, works at the same time determines the quality and style. Let us cherish their own feelings, their own emotional outbreak boldly to achieve the self-arts performance, and create a distinct personality and style of the outstanding figures touching ink works.