Comment On The Style Of 1930's Film

The dissertation chooses the style of 1930's film as the objection, the brief reason is that it deviated from the principle of"swordsmen and supernatural being"in 1920's, restarted the direction and development of Chinese film, and promoted the style of post war's film, encouraged the Chinese film's style to the stage of abundance and mature. It is a stage of serving as a link between past and future in art. This is the important start point of this dissertation in logically.As the first milestone of art history of Chinese film, the melting between national art and foreign skill is a unique component. The dissertation not only digs out the component, but also digs out the brief cause that shaping the style, notion, methods, cultivating and innovation for the environment of film, so that we can draw lessons from it.The dissertation was divided into five parts, the national feature of style of 1930's film, the world feature of style of 1930's film, the melting between national feature and world feature ,the historical limitations of style of 1930's film, the enlighten for the creation in contemporary.In the first part, the dissertation starts a systematizing analyses for the national feature, points out the national feature is the basis of the style. In the concrete analyses, the dissertation makes the national feature as the realism and the visual of humanity and emotion, conforms to the tradition of"film-drama"custom of appreciation and reception from a big crowd, the audiovisual language of national feature. In the introducing process, the dissertation strives for intuitional displaying of the feature of national style. Thus, it was divided into four Chapters and sections, the imagine of crowd that expressed the national emotion, the environment of possessing Chinese painting, the momentum of lens, the using of national music.In the second part, the dissertation analyses the world feature, according to criteria of region, the part was divided into three chapters; using the montage of USSR, imitating American Hollywood, the influencing of Europe film, because at that time, the Chinese film was strongly affected by American film, the dissertation emphases this matter, points out the mode of film's type, the actor system, the skills of American film, these are all the aspects that Chinese film's imitating from American film.In the third part, the dissertation analyses the system that melting between national feature and world feature. The dissertation analyses the systematize methods, points out it is the melting between national narrating and the processing of montage from world, the melting between national paintings and the expressing methods from world, the melting between the national tale and the type of film from world.In the fourth, fifth part, according to the criteria of history, the dissertation points out the limitations of style of 1930's film in history objectively; the course is the special environment at that time. In the last chapter, from the inner environment and outside environment of style, the dissertation abstracts some important enlighten for these days.In the systematize methods, the dissertation deviates the methods of history that testing and narrating of data, particularly takes the audiovisual language as the entrance, displays the style of 1930's film stereoscopically, Thus, it also digs out some new training of thought for the analyzing on film's history.