Research On The Nationalization Of Chinese Popular Music

Starting from the point of view of the developing models of the nationalization of Chinese popular music for the first time,this dissertation aims at putting forward"The Lijinhui Model","The North-western Model"and"The Chinese Wind Modle",and hence realizing the characteristics of these three models within the cultural surrounding in which Chinese popular music develops and the sociai factors which lead to these characteristics.The writer of this dissertation base on historical materials and adopts the research methods of that in the study of the History of Music,the study of the Culture of Music,the study of Sociology of Music and many other study fields .First of all ,the auther of this dissertation studies the history of the development of the nationalization of Chines popular music and makes a conclusion of the developing features .In the end ,the writer adnances the different developing models of Chinese popular music in different cultural surroundings and the characteristics of these models. In the overall structure the vertical clue is the development of the nationalization of Chinese popular music whereas the horizontal clue is the three models of the nationalization .The author of this dissertation tries to make its readers tu understand the cultural connotations of the three models of the nationalization of Chinese popular music,employing historical method and analyzing methods.This dissertation fall into two chapters:Chapter One Historical summary of the nationalization of Chinese popular music .It mainly focuses on the three centralized periods of the development of the nationalization of Chinese popular music,which were the period of the nationalization of Chinese popular music in Shanghai during 1920's and 1930's ,the period of"the North-western Wind Model"in the middle and late 1980's and the period of"the Chinese Wind Models"at the beginning of the 21st century. The author of this dissertation studies in great details the development of the nationalization of Chinese popular music.Chapter Two The study of the models of the nationalization of Chinese popular music .Based on the first chapter ,the writer of this dissertation summarizes the characteristics of the three development periods and puts forward the three models of the nationalization of Chinese popular music and analysis of the characteristics of these three models,.The summary of this dissertation:The three models of the nationalization of Chinese popular music are objective existence and typical existence under the background of the cultural development of Chinese popular music.Because they belong to different cultural environment, the three models have their respective characteristics. But they all belong to the results of people's cultural selection and cultural recognization.Judging fron the concrete content, there does exist difference in the three models,but putting them under the cultural background of the development of Chinese popular music, these three models reflect mutual dependent and mutual supplementary relationship. All of them constitute important parts of general existence of the nationalization of Chinese popular music.