The Research On The Drama Of Nankai

This paper attempts to outline a complete picture of the Nankai drama movement, to establish Nankai drama movement in the history of Chinese drama status. This chapter is divided into five partsThe first Chapter summarized the Nankai drama theater history.The author describe the purpose of acting, the script, actors, performance results, in a bid to outline a detailed and accurate drama Nankai campaign appearance, comprehensively grasp Nankai drama movement in the context of different times and the evolution of development, and lay the foundation for below .The second chapter discusses Nankai how to adapt the script .The script is the fundamental of drama, a good drama must be built on the outstanding performances of the script. Nankai not only focus on the creative script, but also adapt a large number of Western dramas. They have not changed the thrust of the script thinking, at the same time, adapt the language, structure and plot, while retaining the essence of the original, but also with the Chinese audience's aesthetic taste and appreciation of habit.The third chapter discussed Nankai drama movement Performing Arts. Drama is a complex art. Decisions need to set the stage drama, director, actor well. Nankai attaches great importance to stage performances. They used natural scenery to the real background story, and create a mood, to a higher artistic level. Nankai Theatre also overturned a new theatre mode, and establish of modern Europe and the United States director of the popular drama. They have used "dictatorial" attitude in accordance with the requirements directed by the actor intended to do, and be good at life, and from starting character, and fully reveal the content of poetic drama and philosophy. Nankai good drama atmosphere and outstanding drama director makes a large number of members of the Theatre of Drama eventually embark on the road, and cultivate such a fine dramatist Cao Yu.The fouth Nankai discussed the drama movement theory building. Nankai attaches great importance to the theory of building drama. Beginning of the 20th century, the teachers and students of Nankai on the light of their own experience and the drama development at the state, summed up a large number of drama theories, mainly involving the traditional opera's criticism and learn from the tragedy and deepening of the evolution of consciousness, propaganda and art the dialectical relationship. Under the guidance of theory drama, Nankai create"yiniancha","xincunzheng"excellent repertoire.The forth Chapter is the game style of Quan De-yu's poesy and the influence of Li-ying' in the visual field of "Hongzhou Zen". Section 1 analyzes Quan De-yu's center position in Zhenyuan-period, then analyzes the formation of the game style in his poesy has something to do with Hongzhou Zen's theory that "behaving according to situation". Section 2 through the thinking about Zen in his poesy , the author analyzes the relationship between Quan De-yu's vexed and tired life and his happy mood, this is also an explore on the opportunity and affection for"Liying"phenomenon appears in the Chinese literary history .