On The Transmission Of Spirit Of Traditional Chinese Figure Painting

The Chinese nation has a long history, the traditional and art culture is old and profound. The ancient successful painter left abundant painting theories and works , all of these are wealth that we can study the traditional Chinese figure painting.The art of a race, is inheritting the top of the traditional foundation to develop the perfect continuously.The painters of contemporary add the living contents, thought of modern ear consciousness to the tradition, making the development of traditional painting perfect.The water figure painting made up Chinese water painting to draw the shortage of aspect in the person in the strongly developing of the present society.Traditional teachers and the students' teaching a way mutually has already changed to pursue studies a hospital education in the contemporary, the purpose is creating a new program, new sense of vision spirit and pen and ink spirit.The shape idea of west really gives us a lot of inspiring.But the thing square art is entirely different two kinds of after all of cultural system.Our task is change the foreign art and absorb the essence of western culture.The traditional painting art of China has a deep but great content, arriving creations to practice from its tool material, the work result includes it the original magic power. The paper analyzed traditional program from the pen and ink, lines, composition, and combine historical and successful person painter's work to carry on argument, displayed the traditional evolution process.The fulfillment proves any innovations all have to build up this foundation at the tradition up.Inheritting the tradition has a lot of levels, but the many people just stop over the level of surface technique up, even gave up a lot of least basic achievement, crave for shortcut, do not go deep into traditional spirit aspect, make as a result water figure person the painting deviated the right road.Only disregard to a superficial form, go deep in to understand traditional spirit, then can discover a traditional content.The Chinese person painting has a deep tradition with long history, having much experience to inherit and developing.The painter's pen and ink spirits all come from a tradition, following certain art regulation,which is on the program of inherit with innovation. We should be cultural from the tradition of deep push innovation and development water figure painting.Take traditional culture as groundwork, in the middle of inheritting beg to change.The blindness that also should absorb Chinese painting to develop medium emergence in the last several decades begs lately the precept brought, creating to have time spirit pleasant impression in the research in the art language and the form regulation of, have the art work of the high personal status of fresh and clear race character.The tradition is flowing, the new successful thing will also become the tradition of tomorrow today.The innovation will also become a traditional new contents, the innovation is the inevitable way that the traditional oneself develops.Several person painters who have frontier spirit who enumerate in the thesis, the none doesn't value the good tradition that the Chinese person draws.Inheritting the tradition is for letting the pen and ink want to contribute efforts to the shape, not limiting a shape with the pen and ink, the shape wants to match the performance regulation of pen and ink and follows behind ages, developing people of the past have no of pen and ink, try hard for a balance point of looking for the modern and traditional.The traditional spirit is through adjudicating of society and history of test but deliver down.The innovation of art not is repeat the tradition"capability", the essence in the tradition needs to protect to stay, such as the traditional line, pen and ink shape, write absolute being etc. by form.The person painting creations wants to follow behind the development direction of person painting, expressing an ages contents.Develop currently, the water figure painting has already been realistic, comfortable, abstraction, experiment's etc. is various forms.The tradition is basal weak with foreign culture of harass, make water figure painting of the creations lost groundwork once, deviating a normal development track.Also give us much experience and apocalypse towards inheritting traditionally, people of the past.Dr.Zhangting thinks:"The China painting isn't an oil painting, isn't a water color, isn't water powder, isn't a sketch, isn't a version painting.If sign to settle pen and ink, Chinese painting's pouring is have enough quantity to absorb digest some these of factor……". Dr. Wu guan-zhong who thinks"brushwork be equal to zero"has put forward"kite continuously line"definitely in the meantime in the both Chinese successful painters all emphasized traditional importance, so the innovation doesn't leave a traditional root is a person painting to develop of necessarily from its road.Textual research purpose mainly is for the sake of elucidation in currently the development of Chinese painting, innovation, the change is inevitable, but want to insist a big direction, then inherit traditional essence.For tradition we can't abandon completely also not is takes skin.The development that the traditional person draws has been following to inherit, innovation, again inherit, development of regulation to go forward.Under the influence of western art factor, modern water figure painting all got in form and language tops abundant tremendous.Particularly is at topic contents aspect, the person identity of description had modern meaning, the work has ages living breathing.Inheritted a tradition to want to develop the people of the past's brilliancy from the new angle of view from this, around creation to treat a person painting of excellent tradition , our contemporary water figure painter's target is the relay baton which once connects in the past person a painting everyone, making the race painting clime to peak.