| Among the DunHuang art treasure house, the DunHuang fresco is one of the gorgeous pages and very rarely in all of the world rock cave art. It is huge in scale, rich in content, highly skilled in sculption and intact in protection. With the development of technologies, all sorts of digitized technology are adopting to study and preserve the heritage of DunHuang cultures. The dissertation provide a new thinking mode for the protection and development of DunHuang fresco by analyzing the relatived holistic DunHuang murals or the copy materials, and effectly combining Dunhuang skill musicartistic forms with video image, ascribed to its many merites such as quickly, convenient and duplicatabl.By analyzing and studying the content of two-dimensional plane mural, applying the modern digital video image technology to plane mural, the dissertation is attempting to realize the three dimensional hypothesized reappearance. The various technology such as three dimensional modeling, hypothesized roams, picture processing, video image edition is applied to skill music forms of DunHuang fresco, the dissertation hope to explore a new route which can unfurl the ancient artistic form with video image and instruction of the ancient artistic form to video image.Firstly, the dissertation has reviewed the development and evolvement of DunHuang skill music art, as well as artistic characteristic at different times, the manifestation. The line utilization, color performance, composition of a picture processing in skill music art and so on are also investigated and analyzed. Valuable enlightenment on video image edition is obtained by comparing the traditional mural manifestation in skill music art with modern video image art. Three aspects is presented in the dissertation. (1) Enlightenment on video frequency image role edition from Dunhuang skill music art modeling, (2) Enlightenment on sub-lens facture of video image from latent timeliness of DunHuang skill music art form.(3) Enlightenment on video composition design benefited from mural space performance of DunHuang skill music. Based on the above enlightenment, and by analyzing characteristic and movement rules of the dancing and music, the research focused on three dimensional hypothesized reappearance of scene, character tendency, character facial expression in skill music by dint of character three dimensional modelling and three dimensional digital technology. The big multi-angles scenes based on particularly movement models of lens in video design in DunHuang skill music are showed by utilizing the techology of video sub-lens design and lens movement. In detail, to design sub-lens, character animation and adjust the cameralens movement, the 172th cave " inscribes of Amit yurdhy na-Sǔtra " of the Dunhuang fresco is subjected to hypothesized reappearance in a multi- angles, multi-stratification planes video way. |
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