The Searche Of "Gesar" Play Origin And The Development

The present paper the first material which obtains by the field investigation bureau primarily, the utilization play study theory method, comprehensively and carefully has discussed "Gesar" play origin and the development situation, as well as "Gesar" play to now society's practical significance. The paper the main text divides three chapters besides theintroduction and the conclusion, the introduction partially first clarified in the definite orders "Gesar" play refers is "Gesar" historical novel.First chapter outline Tibetan opera production and development. Including the play theory and the play performing arts production, Has emphasis the Tibetan opera produces time early, and Tang Dong Jie Bu to the Tibetan opera reform.Second chapter specifically elaborated "Gesar" the play origin and the development/from "Gesar" Qiang mu(god dance),to "Gesar" nan mu te (Tibetan opera), as well as present "Gesar" film and television work development. And elaborated the historical background which"Gesar"Qiang mu (god dance) produces, its characteristic and its to at that time society's positive role; "Gesar"nan mu te(Tibetan opera) definition, category, classification and its distinctive quality; Last the part then thoroughly discusses "Gesar" nan mu te to "Gesaer" the film and television work influence, as well as "Gesar" in film and television creation three essential factors, namely script, folk custom and romanticism technique.Third chapter from the time, the national characteristic and the regiont hree aspects elaborated significance of "Gesar"play produces,the conclusion partial summarized "Gesaer"play development course, and give own conception to "Gesar"play will development.