The Study Of The Linguistic Form For Sculpture Art About The Grassland Stone Figure

The grassland stone figures is worthy to be investigated for its unique campo artistic form which is mixed with the intelligence and aesthetics of campo people. Previous research put emphasis upon the history, archaeology and nation. Seldom publications in which the unique artistic and aesthetic value of the grassland stone figures were analyzed from the point of view of sculpture linguistic form. This dissertation falls into three parts.The first part will introduce the basic condition about the grassland stone figures including the geographic distribution, name origination and prolong, basic styles, relationships between the grassland stone figures and other sites, and the whole features of the grassland stone figures.The second part mainly analyzes the artistic style of sculptures of the grassland stone figures .The origin of the upright form of the grassland stone figures, carving in virtue of the stone itself, representation by means of transmogrification and hyperbole, modeling coalescent with altorelievo, rilievo and line engraving are elucidated. The linguistic form of the sculpture for the grassland stone figures was lucubrated and the whole features of the grassland stone figures are traced out.The third part talks and explores how to dialectically inherit and develop the statuary of the grassland stone figures. Some suggestions are given in this part.The grassland stone figures is a typical art form left by Asian and European nomadism people. Deep research about language form of the grassland stone figures sculpture will promote the understanding about the inner spirit and the aesthetic value of the campo people. And the research is also meaningful to enrich the representation form of Chinese traditional sculpture art and broaden the linguistic expression of Chinese modern sculpture.