Trying To Analyze The Portraiture Of New Zhejiang Painting Faction

In the 20th century. Painting is a history there has been no change in China. But"the portraiture of new Zhejiang painting faction"is a new type of modern ink Portraiture and it occurs after Xu Beihong and Jiang Zhaohe's"the portraiture of Beijing painting faction". It born in Hangzhou of Zhejiang province that it has history of several thousand years of civilization. Its form of art must subordinate to the political principle of new era and the portraits in the history of the education is a blank in the branch of the Central Academy of Art in East China under the dual pressure. It also based on the theory"making distance between the Chinese painting and Western painting of Pan Tianshou ,and Li Zhenjian,Zhou Changgu and Fang Zengxian created a modern ink Portraiture practice with beautiful style.It was an organic combination of Traditional techniques and Western main line of the structure, opened another future as the Chinese Portraiture .But, In its development process, it read from the'50s to the'80s——an early stage of development from the very beginning to mature,and a regeneration of innovative stage after the 1980s,in the regeneration of innovative stage, Liu Guohui and Wu Shanming represented to open a new situation"the portraiture of new Zhejiang painting faction", breaked it's bad situation from the 1970s to the 1980s,and pushed it to a good stage further."The portraiture of new Zhejiang painting faction"is a unique modern ink portraiture with national characteristics. It is very big impact in China and made a contribution to the art education and the painting's development history.