Research On Revolutionary Songs Of Chinese Korean Nationality During The War Of Resistance Against Japan

Literature and art has apparent contemporary and national characteristics. Revolutionary songs of Chinese Korean Nationality are the important parts of the whole Chinese revolutionary songs. The melody of revolutionary songs have not only apparent characteristics but also have the necessary relationship with Korean songs. Based on the difference of the nationalities and the difference of the same nationality in different districts, the aim of the thesis is to study and research the far impact of the revolutionary songs of Chinese Korean Nationality to the contemporary Korean national music as well as the important affect to enrichment and development of China's national music of the same period and afterwards.Starting from the history of the immigration of Korean Nationality, the thesis introduces in detail about the historical background of the immigration and the formation of the Korean Nationality. By describing the history of the anti-Japanese struggle of the Korean Nationality, it reveals the historical background of the origin and development of the Korean National songs and the cause of the prosperity of anti-Japanese songs during the War of Resistance Against Japan and War of Liberation."On the Songhua River","Hometown","Missing Hometown"and"On the Jialing River"are the works of Korean composers. Through the analysis and comparison of the background of composing, the contents and types of literature of the four works, it studies the contemporary spirit and the artistic value of the anti-Japanese songs. Through a further analysis of the Chinese anti-Japanese songs, it tells more about the formation and development of the anti-Japanese songs of Chinese Korean Nationality in that period. Furthermore, it clarifies that the Korean anti-Japanese songs are closely related to the Chinese anti-Japanese songs."Song of General Mobilization","Song of the Decisive Battle","Song of the Independent army"and"Song of General Hong Fandao"are the other works of the same age. These songs are simple, plain, bright and clear in melody. But they have the strong contemporary features of that time, they aroused the high anti-Japanese conscience of patriotic people of that time.These revolutionary songs embody the relationship between art and times as well as the national style of literature and art. On the other hand, they also reflect the cultural phenomenon of national music. Nowadays, among the fields of the music of Korean Nationality, we are staying at the phase of searching and collecting the national musical heritage without systematic research of the history of the national music of Korean people. What's more, we didn't have the full collection of literal and stereo records of the musical history of Korean Nationality before Liberation. After Liberation, China experienced successive political movements such as"Anti-rightist Struggle","Rectification Movement"and"the Cultural Revolution". In the meantime, many of the works of that period were missing. And we cannot deny one fact that most of the musicians of that time have already passed away. Therefore, it is our vital task to research the musical history of Chinese Korean Nationality, which is also meaningful in history and reality.