On Traditional Technique Ideology Of Classical Chinese Poetry

In the field of classical Chinese poetry, there is a particular phenomenon of enthusiasm in the folk literature and the indifference and estrangement among the poetry critics. How to maintain the essential tension of rule and creation, obstinacy and renovation, contraindication and freedom; how to make poetry express effectively through technique control and the poets, through practical creation, overcame the obstacles and diminished the old ways have become an important topic.This paper discusses the Chinese poetry technique ideology from two aspects. One is classical aesthetics and poetry technique, the other is Qian Zhongshu's poetry artistry. Section I discusses the basic characteristics of poetry technique. In the light of artistry theory which is mature and relatively stable and in accordance with aesthetics, the writer tries to excavate the reason of its affects of culture of times and aesthetics standards and transmutation of occurrence, bequeaths and creation of the practice of the poets of ages. Section II focuses on Qian Zhongshu's artistry theory and discusses the melting and development of poetry in the context of modern academy, philosophy and aesthetics. Qian's discrimination and interpretation of Classical artistry has positive effects of poetry development and the practice of literature and arts.