By Material

The material takes the Chinese drawing a important attribute, more or less influence itself. Therefore, the familiar material performance can better express author the intention. Each kind of different material all has own characteristic, this kind of special attribute should not use in to substitute another kind of material, but should the as far as possible display new altitude, the traditional Chinese painting always all be and the water ink two and the class, mutually supplemented under the different cultural context premise, mutually has the fluctuation. Is enriching China' straditional civilization, two kind of different material qualitiesbring the esthetic sense all should receive the respect. Indeed "the water ink" has the pivotal status in the traditional Chinese painting history, to the words request also is the painting ofa scholar discrimination work style high under key. But "the waterink" took one of traditional Chinese painting materials, cannot complete cover traditional Chinese painting itself, we also must take other materials in the traditional Chinese painting to development not to be possible vicariousness, also should take the traditional Chinese painting material after to flow in other Chinese culture circle countries, material oneself develops the certain stage backflow, and to traditional Chinese painting counter- influence. In material civilization rapid development today, along with information globalization advancement intensifying, we should the material and the technique understanding and to the traditional art Chinese-adapted connotation understanding union, China ancient times the outstanding picture and other country each kind of plastic art sessence unions, breaks from the narrow idea which supposed. By" constructive nature" the judge ment regards the material in draw ingtrace and the discoloration, its unique picture effect inquires about the new performance language, also may from in the introduction Japanese drawing material, the material quality, supplement and enrich(involvement which our tradition drawing material flaw part for example high temperature crystallizes), in order to consummates and develops our traditional Chinese painting performance strength the depth and the breadth.