A Study On The Literary Theory Of The Central Chinese Soviet Areas

The Central Soviet Area literary as the initial literary and art attempt led by CPCCentral Committee and Central Government, its historical practice not only embodiesthe party's executive ability dominate role of the ruling party and national will,leading role of the advanced cultural banner for the arts, social role of art in theprocess of transformation of the history, but also sets up and normalizes Yan'anliterary mode in literary and art theory, policy, ideology, system and artistic criticism.Consequently, it plays a profound impact on the art of the People's Republic of Chinaand its trend.From the perspective of hterary and artistic sociology, this paper adheres to theprinciple of giving priority to the history and uses of "ideology" theory, "narrative"theory, from Ideological Essence theory of Literature and Art theory of literaturecreation, literary contexts and literary, criticism etc. synthetically to sort out andgeneralize the history context of the cultural construction, theory resources, internallogic, logical structure and the basic framework on the Central Soviet Area Literaryand Art, at the same time gives a brief description on the Soviet literary theory,left-wing theory and Yan' an literary theory. This paper thinks political ideologyArtisticization, popularity of the aesthetic cultural form, the Soviet culture localizationand the folk cultural resources systemization is the basic experiences and strategies inthe initial phase of constructing Marxist literature and art theory in the Central SovietArea. It still has important theoretical and practical significance to promote Chineseliterary, arts, ultural core competitive power and contemporary context ofglobalization of China's advanced culture.