The "Standardized" Development Of Fanyi's Image Reading

Fabyi's image attracts various kinds of critics'attention since it emerged in 1930s. With the alter of social value,woman value,aesthetic consciousness and the changes of critics throng, it generates different kinds of languages which read FAnyi's image through critics'different angles and methods of studying, as consequences, the power of Fanyi's image becomes more and more strong.Exploring the study of Fanyi's image, we discovered that epoch ideas have great influences on the creation of play and standardize of criticism. Wholly seeing, the real prosperous period of Fanyi's image reading is 1980s, but the study between 1930s to 1960s bases the great developing outlook for its prosperity. The study of this period is significantly for the participating of the author and the author's contemporary. It laid the foundation of new epoch's even nowadays study: with the author himself and the author's contemporary'reading to Fanyi's image, it make trend for hierarchy. In nearly forty years, Fanyi's image varies from Caoyu's"old style woman and capitalism woman", to Left Wing's political criticism, to Freedom Party's humane thinking, to the fixing of political sayings after liberation, the study of Fanyi's image experience a standardized process step by step. The reading development of"standardize"reaches its peak after Cultural Revolution.This thesis tries to put the study of Fanyi's image between 1930s to 1960s into the"relations"between the whole study of《LEIYU》and Caoyu and modern literature,social history, and try to discuss the trace of the study of Fanyi's image of this period. It is on the basis of critics'comments and deduces a process of standardized Fanyi's image reading between 1930sto 1960s,and it is in details as followings:Firstly, the《LEIYU.Proscript》's author Caoyu has basical function in this period. At the beginning of Fanyi image study, the article emphasizes the image as: old style woman and capitalism woman. This comment has great original significance to other comments. Caoyu's feeling comment style influences on the following comments greatly.Secondly, the receipting process of 1930s not only mixes up readers'highly political and emotional enthusiasm , but also not lost of critics's"misleading"to Fanyi's image. Left Wing's standardized comments directly express the ideas of"people sacred", and they even deny Fanyi's image. For example, Guomoruo thinks that Ludahai is"the most positive personality"which indicates that Fanyi is not"the most positive personality". Zhanggeng's provoke-thinking to the tragedy of woman personality and Zhouyang's hierarchy fixing to Fanyi's image.Thirdly, the Freedom party's critics: the foundation of humane thinking affirms Fanyi's image. For example, Lijianwu's comment explores image meanings from Fany's enthusiasm and soul, and he thinks positively to Fanyi's image. On one side, he affirms her"enthusiasm", on the other side, he also indicates Fanyi's"disappointment". Of course, this is the Freedom party's fated understanding to Fanyi's image.Fourthly, Fanyi's image reading of emancipated zone's literary comment: Fanyi's loving in political right sayings. For example, Yanghui's revolutionized expression denies Fanyi's loving, Luying's reading is a humane misreading to Famyi'image.Fifth, the study of Fanyi's image in literary atmosphere after emancipation: mad woman. At the beginning of 1950s,artistics analyzing and aesthetic observing to Fanyi's image are almost absolutely instead by politics'and social's critics ,and evolving the fixed reading to Fanyi's image of culture revolutionary period at last: corrupt"mad woman", an extreme selfish.Sixthly, the study of Fanyi's image in 1960s: the conflict between"resistance and retaliation of individualism"and the outdoing instinct. It is realized that Fanyi is the key figure in the whole play from the eye of Fanyi's personality conflict.Seventhly, Qiangurong's attacks to"standardized"phenomenon of fanyi's image study: he mentions that Fanyi is"the original image of LEIYU".In a word, the study of Fanyi's image is about seventy years, and the"standardized"study reaches its peak since 1960s. In the seventy years, the recognition of Fanyi'image is really free since we step into the new period. It really shows that one thousand readers have one thousand kinds of cultural reading about Fanyi.