The Continuation Of Nationality And Researchment Of Mordenity In Multivariate Musical Culture Blended Circumstances

Yong Rub, Mongolian conductor should obtain high assessment due his demonstration on self-awareness arousal of Mongolian musical culture identity during his way on musical creation for several decade years from highness of human musical culture history. At the mean time, his way of deploitation visual field actively in multivariate cultural exchange circumstances, absorbing tastes melodize technique widely from different nationalities, praticing new cumulative artistic experience all the time, is worth to be learned by us. This article give us an overview of Yong Rub's tales about life and his way on musical creation, also analyze carefully via musicology on his following magnum opus: First movement Desolated Temple of symphonic suite Home Town. Chorus work A lonely Baby Camel, ,Four seas, Dinker Jabu. TV drama program music Little Living Buddha.. His art accomplishment has great meaning to music development of Mongolian current generation, Yong Rub , as a Mongolian composer and conductor, no matter is composing artistic creation or conducting practic, all his artistic way reflecting organic combination of nationality and modernity, it is a vivid portraiture of an ancient nationality moving towards morden life with its musical culture basing upon tradition firmly. He opens up the way with his own hard life experience and creative hardworking . However,this way not only belongs to himself, but also calling numerous musicians to share with charming gloss.The prospects has revealing meaning to not just current Mongolian but the rise of whole Chinese nation musical culcture development.