Female Who Is Not Free From The Fence Of Men's Right Tradition

Today,thedevelopment ofChinesemovies have alreadyentered anewphase,withmoreand more many Chinese movies receiving a great deal of attention from the internationalmovie circle. With female's problem more and more became one of focal points to which themovie employed pay attention, a series films appeared which take the feminine image asdramatis personae. This thesis union traditional and modern movie art theory and methodfrom female point of view, and try to excavation how the male power tradition behind thefeminine heat influence the shaping of women's images in movies upon massive and carefuldetailsanalysisfoundation.Thisthesis includes three parts.Chapter 1 analysis female's images in two man-directed movies with the illustrationmethod.It is individually analysis two represent ative movies of andZhang Yi mou's series female movies from comparing dominance text with recessive text, andfrom view of female's angle.Though female's consciousness exist in those two films eitherpotentially or obviously,and has the very strong camouflage,its behind control function stillisdenseness male right culture's ideological.Chapter 2 analysis the transition of female's images in new Chinese movies with thehistorical view, which reflects the special historical and cultural reasons for the weakness ofChinese female consciousness. Whether female's images disappeared in movies during50-70's, or reappearance in 80-90's, need of male's sight and culture become the ultimatereason.Chapter 3 is several points of thought of problems existin female's images in nowadaysChinese movies. Male directors'limitation to portray female's images and the character of"replication"in popular culture times all make female's image deviate the actual female indailylives.