On The Influences Of Ideorealm Of "Poetry" "Music" And "Painting" On Performance Of Chinese Lied

Ideorealm is a distinctive category in Chinese aesthetics. Rooted in Chineseculture, it has been developed into a theory after many years of evolution. It isreflected in many forms of art and thus defined in manifold ways in art. As"poetry'""music"and "painting"are closely related, they share something incommon in expressing ideorealm. Such commonness creates distinctive charm ofart. Influenced by national culture, Chinese lied is characterized as harmony ofideorealm among"poetry'""music"and "painting". Based on much practice inperforming Chinese lied, the author of this paper realizes that the research onideorealm determines the accurate interpretation of a work, which will improvethe performance of Chinese lied. Therefore, it is of great significance in boththeory and practice to explore the relationship between ideorealm and theperformance of Chinese lied.This paper consists of five chapters. In Chapter One, it presents to topic fordiscussion from the perspective of feasibility of the research. In Chapter Two, itaims to prove that ideorealm is a distinctive category in Chinese aesthetics basedon the illustration of its cultural origin. Besides, it analyzes different definitions ofideorealm. In Chapter Three, this paper begins with an argument that creation ofideorealm of ideorealm in "poetry'""music"and "painting". Besides ,it analyzesthe inter-relation of different forms of art. In Chapter Four, the influences ofideorealm of "poetry'""music"and "painting"on the performance of Chineselied are studied from two aspects. In Chapter Five, it paints out the significance ofthe present research.