Cultural Commemoration And Emotion Form

Around the first century, Han Dynasty of China of both ends of things of civilized area of Eurasia, the kingdoms of Rome all made higher achievement in commemorating sculptures, but it commemorate city of the sculpture getting public but speech, the two have enormous differences. In Rome , commemorate sculptures are put in great environment of the whole city mainly, the organic connection takes place with other public places , and commemorated in Han Dynasty sculptures mostly depended on various kinds of grave buildings , it is commemorative sculpture art of the subject to form the mausoleum sculpture , lack the public characteristic of city of commemorating the sculpture like Rome, there is relation closely extremely with Rome and urban function , religious culture , social stratum's structure , cultural exchanges of this period of Han Dynasty in this. By the look of urban construction pattern, the opening of the city of Rome is public, humanity has determined commemorative sculptures in Rome are mostly set up in the public buildings of the city, form intact urban cultural landscape, the military affairs in the capital were defensive in Han Dynasty, such nature characteristics as strict social estate system and emperor's Miyagi ,etc. make the majority commemorate the sculpture often depends on the grave building to combine with nature, have commemorative , appearance defending , such characteristics as the decorating ,etc; By the look of cultural tradition, cultural continuity, the religion , idolatry, funeral, geomantic omen view ,etc. profound reason determine Han Dynasty in the purpose , function , aesthetic and different to some extent with the commemorative sculpture of Rome, different culture shapes are a sculpture from the quantity, scale , the form has offered the cultural norm carried on as usual; By the look of social stratum's structure, thecitizen of Rome stratum is the main body of the city, commemorate the sculpture is not only a kind of means that the ruler regulates the society , but also one kind of citizens' needs consciously, but in Han Dynasty, the ruling class is the main body of the society, including such common people as the private merchant, persons who plough and servant, servant ,etc. have not become the centre stratum of the political culture in the city of Han Dynasty , not similar to the public life of citizens of Rome either, have urban public buildings facility served general citizen like Rome to appear and city public sculpture art highly prosperous developing either; By the look of cultural exchanges, Rome and though Eurasia two strong civilization kingdoms in Han Dynasty, but there are no extensive cultural exchanges , has kept each independent culture developing basically, in economy, politics, culture, the religion, geographical environment exists under the situation of the enormous difference, has all created the unique commemorative sculpture design respectively. Implant Han Dynasty on different cultural background , sculpture art , Rome of kingdom both ends pay brightness set each other off in Eurasia, have establish the foundation and move towards for the artistic development of sculpture between east and west, has represented the artistic charm of the culture between east and west. Commemorate sculptures from different social values through the representative Han Dynasty of Chinese and Western culture and Rome, cultural function, art form carry on diversified and multi-level comparison, thus know the formal difference that exists of art of sculpture between east and west of this specific period, getting deeply to the research of the essential connection of cultural intension between east and west, the sculpture in China is educated to totally introduce the education system of the western sculpture, today when artistic historiography of the western sculpture becomes Chinese sculpture theoretical research subject, no matter in the theoretical research, or the nationalized road to consider the contemporary sculpture of China has a realistic meaning in creating practice.