Conditional Color Is Null

This thesis has abolished the Utopian illusion that conditional color can simulate authenticity through having the authentic relativistic review, and taking the painter's concrete works as examples, has analyzed the impact on color expression of conditional color. The analysis of the eight natural instincts of art points out that the pursuit of conditional color can simulate authenticity is deviated from the natural instinct of the art. In the analyses of the works of the art history, the western impressionist who took conditional color as the leading factor has shown the clue of modern art for the first time, but they were replaced by conceptual color and interacting color soon. Eastern artistic tradition is the history of the non-conditional color, the color of Chinese mural painting and Chinese folk prints mostly reflect the interacting color and ornamental color. The change that the pursuit of color in the works of different periods between east and west is not only the development of the form of works, but the result of change of inherent person as well. Contemporary artistic linguistic context and people's state have already made the conditional color lose the soil of surviving, so, as the teaching of contemporary China's color art, the situation that the conditional color unifies the whole country must be changed. We should abandon the conditional color and pay attention to the conceptual color, the interacting color and the ornamental color. That is not only the calls of the times but also the inherent demand for artistic development, the reform in education of color has been imperative.