| This paper attempts to indicate the divide between Suburb-Folk and Urban-Folk in the typical aspects by focusing on multi-approached Urban-Folk writing which is a narrative way hardly to ignore in the literature context nowadays. With using the approach above, the author explores the view of aesthetics, and heritage and creation on the means of artistic expression of those female writers represented by Wang Anyi, and tries to discuss the aesthetic value of their works in order to emphasis their social, cultural and feminal poetic values.There are four parts in the body text. The first part, the author defines the concept of Urban-Folk involved in the paper; tracks back the historic tradition of this way of narration in Chinese culture, expecting to find out the trail of this way of narration used by Wang Anyi from history.The second part tries to discuss the meaning and value of Urban-Folk in the Shanghai narrative style of Wang Anyi. By focusing on the relationship between female and urban, Urban-Folk and urban spirit, the author discusses how does her works reflect the secular live of the people in the bottom of Urban-Folk and how to embody the core of urban sprit.The third part discusses the correlation between Urban-Folk and Suburb-Folk and how the correlation improves the value of Urban-Folk literature, and how it reflects the humanistic care and philosophical consideration.The forth part discusses the cultural appeal and current values of Wang Anyi's work by analyzing humanity .What's more, the author tries to illustrate how Wang Anyi thinks about feminal poetics and culture appeals.The conclusions emphasize current meanings and values of the Urban-Folk narrative theme by Wang Anyi in the view of culture construction, and the author thinks it is necessary to face up to exist of the Urban-Folk ,especially in the aspects of development of Chinese culture, and the crush generated between western and Chinese culture. |