| The popularity of "postmodernism" and "consumerism" make the literary of network age a special scenery. Tanbi as a burgeoning literary form is not so popular until the 21st century with the development of China's network industry. It originates from Japan. Initially the genre of Tanbism was the same as Aestheticism. With the development of society, the writer of this kind of literature make some compromises and changes, and then it comes out this new literary form Tanbi literature as is known today.It is first an elite literature when Aetheticism first came to Japan. But as historical and social reasons, it gradually took on some morbid cast. When it comebines with Chinese traditional culture, Most of Tanbi works are "assemblage" and "parody" of famous original ones. In network age everyone can be a writer. Therefore it overcomes the barriers between elite literature and popular literature, which is a revolutionary alteration. What's more, its main creative body is females and most of its readers are also females. All above shows that this kind of literature has the characteristic of post-modernity and consuming feature.After being introduced to china, it is burgeoning quickly. Apart from the reason that China and Japan are both Asian countries who have national similarity, another essential reason is that on Internet it can be known by most of people who have interest in it as quickly as possible. By analysing texts of Tanbi literary works, we find that under the exotic surface of this new literary pattern, females are still comply with the traditional patriarchal society but in a negative and alternative way. It is an external manifestation of gender identity crisis and identity crisis of Chinese female. |