Study On The Adaption Strategy Of The Chinese Network Tanbi Novel In The Receptional Aesthetic Vision

In recent years,the phenomenon of adapting network novels has formed a trend in which network tanbi novel adaptations have attracted the community's attention and have become a hot topic on social network platform with great social disputes.17 network films and internet dramas adapted from slash fictions have been released to public by the end of 2017,since the first adaptation,Like Love,in 2014,among which 13 adaptations have been banned,only 4,The Reborn of Super Star,Love Is More Than A Word,Till Death Tear us Apart,Beloved Enemy were left.At present,It's slash culture's aesthetic characteristic,the people's acceptance level and the standard of review from SARFT that caused the president awkward situation,so how to balance the 3 elements is the first priority problem has to be solved for adapting network tanbi novels in Chinese mainland.Receptional aesthetic opposed the writer-centered theory and the text-centered theory.Receptional Aesthetic took the reader into the scope of literature study and emphasized the reception of readers' importance for text meaning producing.Under the condition of the socialist market economy in mainland China network tanbi novel adaptation has always been centered on the audience.Based on audience-centered in common this article researches the network tanbi novel adaptation activity in Chinese mainland with Receptional aesthetic theory to find reasonable and effective film and television adaptation strategies.The first chapter,use Wolfgang Iser's theory of "implied reader" to show concern on the level of where the story is set.The second chapter focuses on the discourse mode of the adaptation of tanbi online novels by using Jauss' s "vision of expectation" theory.In the third chapter,the significance construction of the adaptation is discussed by using Wolfgang Iser's "response-inviting structure" theory.Research founding that decrease the percentage of slash culture in the network films and internet dramas is an inevitable choice for the network tanbi novel adaptation creation.It's hiding the male homosexuality element in text structure that adapts audiences' reception psychology and makes people who have accepted tanbi culture perceive the slash culture meaning in adaptations.There more network tanbi novels will be translated into films and televisions in the social tide of developing IP.What we lucubrate existed network tanbi novel adaptations is to provide references for the narrative language tend to visual in the future.In addition,researching network tanbi novel adaptation from receptionafl aesthetic perspective will provide theoretical references for aesthetic psychology research of network tanbi novel adaptations.