On The Female Images In Miss Mandumai's Chinese-translation Novels

Mandumai is the native Mongolian writer in Inner Mongolia autonomous region. In nearly 40 years of literary creation in their native language, she created series of continuously cultivated, and profound and thought-provoking stories. Her works connotation is rich with deep meaning, she has relatively original innovation and exploration whether on the combination of the fine tradition of our national culture and modern techniques of writing, or the development of the novels theme and structure. Her novels, not only do its possible in peculiar style of Mongolia native literature spirit, more important is to provide a new aesthetic view about literature. Her works let us see the Mongolian culture tradition for thousands of years, watered and cultivated by labor and wisdom even life and sublimate to human reason modern height. The 1980s, she started to create a number of ecological literature masterpieces exclusively on the nomadic culture, such as Aged Lady Mayat, LaoCang head, Four-eared Wolf and Hunters, People and Wolf and so on. Much attention was paid by experts and scholars of region, Study on her works also nationwide carried out.In her novels, she created series of the fresh female images for us: Miss Subuda in Source of Good Fortune, Mrs. Mayat in Aged Lady Mayat, Miss Qiqige in Spring Echo, the girl in From Distant Grassland, Miss Sunit in Triple Players, Miss Hangriwa in Four-eared Wolf and Hunters and so on. These female all have a common characteristic. That is the faithful virtue like prairie largeness of mind, enthusiastic, generous personality, value life, bears hardships and stands hard work, humiliation and love all. And in her works these female images from grasslands who are positive, healthy and full of human nature glory reflect her worship, respect for Mongolian women. This positive and healthy, rational ideas of women is related not only to her aesthetic and introverted personality traits from relevant but also favored by the growth of family environment and Mongolian traditional customs and ethnic ideas. This thesis mainly with female images in her novels as the breakthrough point, trying to read the works, will work for several typical female induction figures:mother image, lovers image, watchers image etc. And through the comprehensive use of ethnology, history and theology, in-depth mining of these images, explain the fiction of the female images character and molding technique, deconstruction her feminism in the novel, which summarizes the female image shaping art.Paper is composed of three parts. The first part of the novel is the analysis and exploration of her feminism reflected by the female images in her novels. Mandumai's feminism comes from the home environment since .childhood, unique Mongolia traditional customs and national idea and her introverted, beautiful, delicate character. In creation, it appears in positive, health, full of human nature glory of description and shape. The second part is the detailed analysis of the female images in her novels. Women in her works are not the main narrating object, but they are a kind of characters cannot be ignored. Images, the mother image filled with the love of human wide, the persistent lover images daring to love and hate and the watchers image looking forward to. a harmonious ecological and human nature regression is the key analyzed in this paper. The third part through the female's image analysis, generalizations shall be traced on shaping art such as portrait description, the action description, the environment etc.The female characters in her novels have both traditional Chinese national women's gentleness docile and unique Mongolian women persistent. Their treatment for love, affection even everything give them another glorious and become another beautiful scenery.