Analysis Of Chinese Brushwork Figure Spirit Conception

This paper tries to the Chinese painting spirit on the theory and some typical Chinese ancient paintings in this spirit to the creation of painting the importance of manners. The paper are from four parts area. The first part, mainly discusses in written form in Chinese painting "god" theory of historical conditions and the significance and the gu kaizhi's appearance-sprite theory put forward various dynasties, painters and home to inherit and develop, emphasizes the spirit of art in guiding significance in. The second part list some examples of painting, to analyze the ancient painters in painting and spirit of Chinese painting is aesthetic requirement characteristic expression. Chinese painting in the independence of god while the aesthetic value, as well as in China, the characteristics of colors from the experience of feelings and art painter in learning their performance figures portraits of unique technique. The third part, mainly discusses the creation of painting in the manners of "god" is the necessity and significance. The fourth part of traditional Chinese painting are discussed in the spirit of the contemporary manners in the development of figuration inherited and developed, and expounds the creation of contemporary painting manners in the tradition of innovation, based on the need to keep pace with The Times to the performance of the contemporary era style character spirit temperament. The spirit of The Times is the source of inner spiritual character figuration, manners, to seize character of the age of spirit, can make works with deep social and aesthetic connotations. At the same time I also talked about some of my personal experience of learning in painting, and individuals in the creation of painting on the understanding and application form. In some western painting techniques model and at the same time, to persist in writing form Chinese "god" of the image of the painting, grasp the characteristics of model of ethnic traditional paintings. The spirit of manners paintings in the millennium theory has profound cultural accumulation and bred, including much nutrient, I know only one corner of the individual, draw nutrition is rich, the hope can enrich the future study and creation of painting.