The Inheritance And Innovation Of Chinese Painting

The painting is the crystallization of a national culture, it is a symbol of a national cultural ideology, form behind each painting carries a cultural ideology, completely divorced from the ideology outside of the painting does not exist. Oriental painting, Western painting, contains its own ideology. Ethnic painting, Chinese painting is the breed of their own cultural soil of the Chinese nation for thousands of years from one system into the system, important painting. From a cultural point of view, it reflects a nation to understand the world and grasp of the world. From the status quo in terms of development of contemporary Chinese art, in the absence of a proper "Chinese art concept" to guide their teaching and creative learning foundation for the painting, not to the Chinese national culture, his works from the painting language itself, and it is hard or pure Chinese painting, not to carry forward the spirit of their national culture. This can be proved without the works of Chinese painting of the real from the current popular painting, Chinese painting to take. A painting form not only carries a nation’s culture the will, but also a concrete manifestation of the spirit of national culture. Thus, we learn in addition to the advanced culture to the world, we must also start from the basic knowledge and basic techniques of painting, starting from the specific and subtle aspects of the absorption of advanced foreign culture, but also to the depth of the excavation of the nation’s outstanding culture, but this is not the traditional form of a complete copy, more than the traditional form of rebellion and abandoned, but on the basis of inheritance, in close connection with the pace of the times, positive, open, take the initiative to explore the Chinese painting body law as far as possible to seek the modern form of Chinese painting, which is the inevitable result of transition to a modern cultural forms from the traditional cultural patterns. Development of Chinese painting is inevitable. Inheritance is not a conservative, but starting another sense, inheritance will be innovative to provide a variety of possible inheritance and innovation is to construct a new Chinese painting system. The past century, the development of Chinese painting experienced a strong Western economic and cultural impact bottlenecks, we should remain sober-minded, should be established in the main, the principal’s position, in accordance with the development of Chinese painting law, the face of the new century changes in a dialectical manner, the only way, Chinese painting will usher in a new era of development opportunities will be created on behalf of a new era of Chinese painting art, could truly promote the era of development of Chinese painting, to make this glorious dream of the great rejuvenation of the Chinese nation to get to the real implementation.