ZongBing Esthetics Thought Ethan Micro

Jin and song dynasties metaphysical development to the stage, most prosperousappear confluent situation mesmerized Buddha. In this period, then it is no longerthe people attention to explore, but the theory of therefore directly inherited pastachievements of metaphysics theory, applications and real life, and have formed akind of values. At that time the philistines and name of friends, and metaphysicalthought sangha as theoretical basis buddhist actually. For metaphysics theory, suchthat the practice of literary activity appeared a lot of new thoughts, the paintinglandscape of ZongBing preface it was at this time that arises. ZongBing I buddhist,meanwhile accepted Confucianism, Taoism and Buddhism, and so many xuanthought, and the other by buddhist integration thoughts. One of the more importantto aesthetics, mostly of guo's "individualization" philosophy and name of "god shenmonk not destroy" theory. In these two kinds of ideological basis, he put forward tocreate landscapes for "feeling" is from, and ultimately illustrates the role is to "changlandscape god. In China the first formal aesthetics, put forward the aestheticlandscape sexual problems, marks the landscape generated. This chapter discusseslandscape context, in the beautiful at the same time, "form" and "color" can express"meaning" point of view to ask. Fully discusses the form can have beautifulconnotation. ZongBing think natural landscape and landscape of aesthetic and themost important is through "taste like" to achieve, and that of the natural landscapeaesthetic is reason and perceptual union, rather than the tends to corner. Thesethoughts for the development of Chinese aesthetics has played an important role, forChinese landscape painting, landscape of his travels, landscape poetry, garden art etc.Are all theoretical basis. This paper is divided into three chapters. The first chapterpresents the background of the age of ZongBing life, and its social and cultural life and thought changes made simple description. ZongBing thought tries to findaccording to historiography. The belief crisis from Confucianism, Buddhism prevailed,metaphysics mixing cultural phenomenon mesmerized the three aspects. The secondchapter basically talk about ZongBing landscape painting creation of "feeling" and"wei guo philosophy from" relationship. Sense The third chapter of "chang god talkZongBing shen" god "and not destroy theory" of the relationship. We think ZongBingis jin and song dynasties advocated that metaphysics theory into practice, reflectionwas the epitome of the social culture and environment in the development ofthought. ZongBing mainly in Buddhism Confucianism, Taoism, integrated xuanseveral thoughts, and puts forward the landscape painting, has both the aestheticproblem times characteristic and innovation means. To our Chinese estheticsresearch is the key points.