Theory Of Jhu Tian-wun's Novels

In the Taiwan literary field, Jhu Tian-wun is an extraordinary writer. In the early times, she organized "san san magazine" and "san san publishing house", which made "san san style" fashionable for a long time in the young scholars; As an non-native offspring who was brought up in the army community, she has urged the Juancun literature vigorous development by her high standard creation; Many short stories were awarded the Times literature prize and the United Daily News novel prize; In 1994 ,the full-length novel "Notes of a Desolate Man" won the first session "the Chinese Times million novel prize" laurel crown; In 2008, her "Words of a Witch" in " Hong Lou Meng prize: The world Chinese novel prize" was awarded to "Life, Death, Exhaustion", however, which was appraised by David Wang as the equal achievement.As a screenwriter, she filmed many movies and won many international authoritative prizes together with the filmmakers Hou Xiaoxian and Wu Nianzhen, Greatly leads the "the new movie" fashion in 1980's Taiwan by the unique theme and perspective. Jhu Tian-wun ' novels reflects all sorts of landscapes of the current metropolis society in Taiwan, shows the time evolution, reflects the culture and the literature new trend. The article will focus on the domains of novels, especially the metropolis novels made in the 1990's. From the angle of the writer subject identity and regional characteristic, I want to study the formation and theological of the theme, style, connotation.This paper consists of two parts. First from the status and the writing interaction relations, The thesis studies the writer'cultural identity and cultural position about how to influence the creation and the concrete embodiment of the works. Jhu Tian-wun not only imitates Zhang Ailing, but also obtains enlightenments from Hu Lancheng, which makes her deeply influenced by the Chinese classical literature tradition. Therefore, she carried on Zhang Ailing' magnificent literary style and develop Hu Lancheng's negative principle history theory under the metropolis linguistic environment; As a non-native generation who grown up in the army community, she paid attention to officers , soldiers and their children's living circumstances which originated from the mainland. She obtained high achievements in the Juancun novel and the relatives-visiting novel creation domains; After growing-up, she participated in the Taiwan new movie work, integrates the occupation experience with the writing themes, apply massive movie rhetoric elements in her novel, and formed her unique style.The second part focus on the time and region environment, discussion and analyses the unique contexts about economy, politics, culture and people's behaviors, ideas during the turn of the century in Taibei, and how these subjects be presented incisively in the Jhu Tianwun'writings. Facing the time changes, Jhu Tian-wun place the consumptive materials, desires, overflowing life as representative object and considers sensory experience as a means to against industrial civilization alienation. She is highly sensitive to the time concept and she deeply discusses about the temporal-spatial thesis. Besides, she constantly disagrees with the subject, break linear narrative logic in the novel creation process. All these make her fiction texts present strong characteristics of pos-modernism.