China's Oil Painting "After 80s" In The Language Is The Visual Presentation

Based on the " after 80s" generation groups, background and social environment in which the interpretation of this generation to specific times as the context of the formation of spiritual arid psychological individual characteristics, and their mode of thinking in particular by creating art features. This thesis sums up the development and edition of the depth of the "after 80s" painting in the visual language of icons showing. And summarizing its artistic feature integrated to depicting the problem of language of icons in oil painting completely, so that the "after 80s" oil painting could highlighted its unique work of art in the formal language, so that people could cover a better understanding of thinking of this "alternative" artistic expression of individual oil painting. Discussing the " after 80s" oil painting and the visual language of icons showing have a comprehensive theoretical and practical significance in exploring the formal language characteristic and understanding the painting's art theory and concept.This thesis is divided in six parts. The first part is introduction, which introduce and analyze the art character, and led to the thesis' purpose and meaning. The second part discusses the origin, feature, and heart characteristics of "after 80s", so that clearly knows the relationship between its history background and Chinese contemporary oil painting. The third part analyzes the art expression of "after 80s", which mapping this generation in the special social background has the unique characteristic, mental outlook and art creating expressional explaining the feature and aesthetic attitude. The fourth part is reflecting the tendency on contemporary art by analyzing the "after 80s" paintings' visual language of demand means. Which including the one hand explain the basis of icons to define inform, color, space and psychological, on the other hand dissect comprehensively the feature of "after 80s"language of icons by citing the cartoon. The fifth part recognize process of contemporary Chinese art using a new kinds words, which make up means the use of new language and spirit of the visual representation. Finally, this thesis reflecting and prospecting the realistic meaning of "after 80s" and the challenges they faced on.