| Stephen Chow film has unique performing and narrative language, which formed his MoLeiTau comedy style. In the context of post-modern society, people's values and consumption gradually changed, which showing on an anti-elite, anti-traditional cultural trends, and the postmodern culture is rising quietly. Stephen Chow's Civilians perspective deconstruct the traditional concept of the hero, and subvert the traditional characters, and he showed the film in the words of no center, no theme of his film to bring the post-modernity. This paper argues that Stephen Chow movie not only in post-modernity of his parody, collage, irony, deconstruction, etc., also reflected the values presented in the story, love the concept. Stephen Chow has also demonstrated his unique narrative language, comic style, showing the aesthetic style of ugliness as beauty, grief in the pregnant, the strange with. familiar And the level of analysis from the spirit of post-modern nature of this cause.With the help of a post-modern theory, and post-classical theory of narrative etc, the use of a large number of examples, from the post-modern context and the relationship between comedy and character story, narrative, text, and in the perspective of the performance of Stephen Chow movies postmodernity, and discuss his characterization of post-modern aesthetic features finally, summed up his performance with a post-modern "entangled," characteristics of the edge in the forward and hope to find a way back. |
