The Study And Presentation Of The Carnival Narrative Theme In The Film

Sixth generation is called "urban generation", Jia Zhangke to county-based,Wang Xiaoshuai transition from town to city, Lou Ye lens at the whole metropolitan, more urban character. Narrative film's main theme Lou Ye violence (kidnapping, murder, war, revolution) love sex death mainly correspond exactly to Bakhtin's theory of new and replacement, death and new life, affirmation and negation, and the daily life of Revelry a key factor in life. Bakhtin's main two academic works "Tuo Dostoevsky poetics Problems" and "Francois Rabelais and medieval and Renaissance folk culture" system in-depth study of these two write the main theme of urban writers. Rabelais written primarily for the body, especially the lower body to the lower body after hip against upper genital belly head, publicity people original desire, Tuo Dostoevsky wrote the main death and suffering of the human spirit. Lou Ye film not only focus on people's original desire and body, but also pay attention to the human spirit and soul, covering the main features of Rabelais and Tuo Dostoevsky's works. From Rabelais and Bakhtin summary Tuo Dostoevsky works out of the carnival and polyphony, especially the carnival theory, more accurate and more deeply in narrative theme Lou Ye's film more accurately. This article from the body carnival, carnival spirit, life carnival study analyzed three aspects, we can see, Lou Ye film theory of the carnivalesque successful application and development of Rabelais against the lower body to upper body head in rendering the body lower body Lou Ye while original desire to rise to the human desire for spiritual and emotional, by the upper guide; Tuo Dostoevsky emphasized the human soul struggling with mental pain death and resurrection, God is to be supported by the Orthodox Church, while Lou Ye movie heroes resurrection from the ashes entirely Chinese-style love of worldly life. With Bakhtin's words:Revelry is the "fearless cheerful" mad is moving, joy is joy. Lou Ye most brutal film has a poetic picture. This body presents Mindbender carnival carnival life narrative theme is unique to Lou Ye, always in motion handheld camera tracking documentary flickering shooting shooting style, this dynamic may wish to call it documentary shooting style the carnival of the way, is crazy move, in the documentary'fearless cheerful "in the shooting style, reflecting the style of Lou Ye's aesthetics, cruel beauty, to form a soft documentary poetic love film style, and to create a rare blind visual film language. Lou Ye this bold and fearless spirit of exploration and humanistic care of contemporary art cinema and literary arts humanistic spirit lack vulgarization phenomena have a good inspiration, to the sixth generation has brought broad prospects.This article is intended to Bakhtin's carnival theory also refer to relevant research literature, the narrative theme Lou Ye film analysis and study, summarized carnivalesque feature film Lou Ye and practical and theoretical value. This article is divided following sections were analyzed and discussed:Chapter One:Introduction section. Lou Ye film describes the main works of this topic as well as the significance of background, a brief carding Bakhtin Carnival Theory and the sixth generation of film, especially related Lou Ye film, Lou Ye film narrative theme and the theme of this artistic rendering of art style meaning, purpose and value of the final interpretation of the topic. Research status of the topic, research methods of the topic and the need to address the issues and innovations. Carding Carnival Theory and concept definitionChapter ?:Study Lou Ye film body carnival theme and narrative presented. Body Carnival is the liberation of the body, especially the lower body genitals, stomach and buttocks, the body's downgrade and parody, suggesting joyful subversion official with the upper body has meaning. The most notable feature is the body Lou Ye film shows the body aesthetics, but excluding the carnival of eating and drinking binge in the body and other vulgar content backside, Lou Ye focused on sex, Lou Ye is not in fornication and bed scenes for the purpose of but showing the presence of individual life in the body carnival in order to establish sexual self. This chapter to this theme by presenting the body carnival characters, scenes, audio-visual language.Chapter 3:Study of Lou Ye's film Mindbender narrative theme and presentation. Carnival people gained a new life, mainly in mental emotional state, emotional expression of the spirit of joy more in line with the intention of carnival. Bakhtin carnival theory is certainly the most prominent point is people's emotional and mental state, negative real life plight of the repressed and bound, achieve a carnival spirit. Lou Ye's film also called love movie spirit spiritual resonance is the most important attraction. This chapter from the characters, scenes, audio-visual language to render the spirit of the carnival narrative theme. Lou Ye's film the most prominent feature is the emphasis of urban individual exists mainly individual spiritual world and inner life, so that Bakhtin carnival theory more characteristics of the times.Chapter 4:Study Lou Ye film Life Revelry Narrative themes and their presentation. Carnival life is to make life presents state of joy, carnival is moving, moving not only physical, but also the body and spirit of excitement thinking common in the active state. Bakhtin carnival people think that life is freed from fear, to make the world closer to the people, but also people close to the people, the people freed from Prohibition. Carnival carnival life including physical, mental game and carnival between life and death. Lou Ye film from the first body to sexual maturity in the spirit of carnival to carnival mainly based, showing a rise of life and consciousness leap, involving the death; resurrection, rebirth, respect for life become his latest the core content of the work. This chapter from the characters, scenes, audio-visual language to render life narrative carnival theme.Finally, Lou Ye film summary of Bakhtin use and development of the theory, Lou Ye film removed Rabelais body carnival in the lower body (genitals, stomach, buttocks) vulgar part, focusing on sex, the traditional carnival in the body lower body, upper body against the head, both transformed into debauchery liberation of the body, and lower body leading up to half rose to head the entire life to the emotional to rational, and successfully Tuo Dostoevsky works heroes soul suffering mental torture, rising from suffering this side of the world to the other side of the world is full of religious life carnival, transformed into a Chinese-style secular to sutler again in the secular resurrection from the ashes. This narrative presents the theme of the carnival is Lou Ye unique documentary is always in motion handheld camera shooting style, and create a new visual blind sound recordings first year visual language; photographic techniques motion is carnival of practices. Lou Ye film called Body Aesthetics and cruel beauty of the film, also known as love movies, soft poetic documentary style, reflecting a humane care of the humanitarian spirit of the moment debauchery and the humane movie Enlightenment literature and art have meaning.